“divergent dystopia”, “tris anti hero divergent”, “divergent characters based on enlightenment” -Okay, I’m not sure what that last one had in mind, but it’s interesting how my very first non-test post keeps showing up in searches.
“anime challenge pets” – Okay, sure, I guess someone might search for that specifically.
“super robot wars og theme song” – Not entirely sure which one you meant, but here are the two most likely:
In keeping with the crossover theme of this week’s posts, here is ROCKS, the theme from the PS2 SRWOG games, in a decidedly non-OG video.
(Uploaded by doctorlatino123)
And here’s the full version of MAXON, the OP from the anime series Super Robot Wars OG: The Inspector, with a crossover picture.
(Uploaded by Tatpiya Jirasakrojin)
“is project x zone canon” – I think so, but I didn’t go into much detail there. This might get long.
Continue reading Search Engine Terms
The daily prompts asks the question:
“When was the last time a movie, a book, or a television show left you cold despite all your friends (and/or all the critics) raving about it? What was it that made you go against the critical consensus?”
As I explained in detail in a previous post, for me it’s Divergent. The thing that bugged me the most was that it’s a dystopia, and yet it ends up portraying the authorities making it dystopian as the (relative) good guys.
Dystopia isn’t really my favorite genre, but I can easily name ones that I like. What I definitely don’t like, however, is a dystopia that seems to forget it’s a dystopia halfway through.
(Contains spoilers for Divergent. Based solely on the first book.)
Now, let me start with the premise of Divergent. The implausible origin story believed by the people of Chicago is basically that after a big war, everyone suddenly forgot that cultures, religions, and nations can cause people to do things against their nature, and instead decided that the only cause of evil that they needed to worry about was flaws in human nature itself. And they divided into five factions that each blamed just one specific flaw; each faction devoted itself to the virtue opposite that flaw, again to the exclusion of all else. But children born into one faction are allowed to choose another when they turn 16.
So this isn’t the kind of dystopia that’s based on an exaggeration of current trends. (In reality, there is more criticism of ideas and organizations and less of human nature than there was in the past.) This in itself doesn’t necessarily make it a bad story, but I’m having trouble thinking of a dystopia that’s less socially relevant.
Continue reading The Divergent dystopia